这本《女性杂志中女性身份的话语建构》旨在研究相互冲突的意识形态如何体现在女性杂志中的女性身份建构中，作者张艺以《时尚》（Cosmopolitan）杂志为分析个案，对女性杂志话语中女性性别身份建构进行了较系统、全面的语言研究。本书入选2013年山东省社会科学规划研究项目。

Chapter One Introduction

 1.1 Context of the problem

 1.2 Significance of the present study

 1.3 Objectives of the present study

 1.4 Definition of identity in the study

1.4.1 Gender identity

1.4.2 Consumer identity

1.4.3 Identity in the study

 1.5 Outline

Chapter Two Literature Review

 2.1 Introduction

 2.2 Studies under the framework of "gender difference"

2.2.1 Early studies

2.2.2 The "deficit" approach

2.2.3 The "dominance" approach

2.2.4 The "cultural-difference" approach to gender and language

2.2.5 Summary

 2.3 Studies under the framework of "gender diversity"

2.3.1 Studies of gender as performative

2.3.2 Studies of gendered linguistic performances in different local context: Gender positioned in a continually shifting range

2.3.3 Studies of gender in a community of practice: Gender as the membership in the community

2.3.4 Summary

 2.4 Feminist studies of women's magazines

2.4.1 Early studies

2.4.2 Studies under the Althusserian framework

2.4.3 Studies under the Gramscian framework

2.4.4 Studies under the postmodernist framework

2.4.5 Summary

 2.5 Summary

Chapter Three Theoretical Framework and Analytical Tools

 3.1 Introduction

 3.2 Theoretical framework for gender identity analysis

3.2.1 Feminist stylistics and a feminist model of text

3.2.2 The framework of SFL

3.2.3 The systemic functional model for gender identity analysis

 3.3 Analytical tools for gender identity analysis

3.3.1 Analysis of representation of social actions

3.3.2 Analysis of representation of social actors

Chapter Four Research Methodology

 4.1 Introduction

 4.2 Research questions

 4.3 Data collection procedures

4.3.1 The reason to choose women's magazine as the data

4.3.2 Data collection

 4.4 Data analytical procedures

4.4.1 UAM

4.4.2 Coding procedure. A sample

4.4.3 Concapp

4.4.4 Urban dictionary

Chapter Five Representation of Social Actions

 5.1 Introduction

 5.2 Overview of the actors and the processes in Interview

5.2.1 The processes associated with the stars

5.2.2 The processes associated with other actors

 5.3 Overview of the actors and the processes in Cross-sex relationship

5.3.1 The processes associated with the female

5.3.2 The processes associated with the male

5.3.3 The processes associated with the experts

5.3.4 The processes associated with Cosmo

5.3.5 Summary

 5.4 Overview of the actors and the processes in Fashion

5.4.1 The processes associated with the female

5.4.2 The processes associated with the male

5.4.3 The processes associated with Cosmo

5.4.4 The processes associated with the experts

5.4.5 Summary

 5.5 Overview of the actors and the processes in Contents

5.5.1 The processes associated with the female

5.5.2 The processes associated with the male

5.5.3 The processes associated with Cosmo

5.5.4 The processes associated with the experts

5.5.5 Summary

 5.6 Discussion

Chapter Six Representation of Social Actors

 6.1 US-group vs. THEM-group

 6.2 US-group

6.2.1 "We" in different sections

6.2.2 Overview of "You"

 6.3 THEM-group

6.3.1 "She" vs. "He"

6.3.2 Nomination

 6.4 Metaphorical representations

6.4.1 Women as tamed young animals

6.4.2 Women as wild animals

6.4.3 Women as queen and goddess

 6.5 Discussion

Chapter Seven Conclusion

 7.1 Introduction

 7.2 Major findings of the study

 7.3 Theoretical contributions of the study

 7.4 Methodological contribution of the study

 7.5 Theoretical implications of the study

 7.6 Limitations of the study

 7.7 Suggestions for future studies

Appendix

References

Acknowledgements