This book is unique -- a collection of the most modern Japanese chashitsu [tea-ceremony rooms]. The tea ceremony was established in Japan in the fifteenth century when it became an essential part of culture for the Japanese elite, and in particular for the samurai. Traditionally chashitsu are made up of certain elements -- an entrance for the host [sadouguchi], an entrance for the guests [nijiriguchi], tatami mats for the floor, a sunken hearth [ro] for heating the tea, and an alcove [tokonoma] with a flower and painted scroll -- they never contain furniture and are used for contemplation.
This book is unique -- a collection of the most modern Japanese chashitsu [tea-ceremony rooms]. The tea ceremony was established in Japan in the fifteenth century when it became an essential part of culture for the Japanese elite, and in particular for the samurai. Traditionally chashitsu are made up of certain elements -- an entrance for the host [sadouguchi], an entrance for the guests [nijiriguchi], tatami mats for the floor, a sunken hearth [ro] for heating the tea, and an alcove [tokonoma] with a flower and painted scroll -- they never contain furniture and are used for contemplation.
Since the 1990s Japanese architects and designers have been reinterpreting the chashitsu, creating modern meditative spaces. Their efforts represent some of the most interesting and innovative contemporary interior design and architecture in the world, featuring a vast array of materials, including paper, wood, plastic, stone, atuminium, glass, and concrete.
A fascinating introduction explains the history of the tea ceremony, the function of the various elements of the teaceremony room, and the ritual of the ceremony itself. There is also a useful glossary and plan. Next comes a look at recent architectural projects that interpret the tea-ceremony room in vastly different ways, from a treehouse in the countryside in Nagano to a portable example in metal. The work features thirty-seven projects by a range of wellknown Japanese architects and designers, including Kengo Kuma, Kisho Kurokawa, Terunobu Fujimori, Arata Isozaki, Takashi Sugimoto, and Shigeru Uchida.
Introduction
Tea-ceremony room plan
GLossary
New Traditionat
Choshoan, Tokyo
Aura Chaya, Nara
Seifuan, Tokyo
Sannocho-no-ie, Hyogo
Yokoo-tei, Saitama
Fujiidera-no-ie, Osaka
Tampopo House, Tokyo
Zekuan, Tokyo
Sara, Tokyo
Shimakin, Tokyo
Modern Materiats
Kumon, Tokyo
Ouan
Heisei-no-nijoudaime, Saitama
Cha Ginza, Tokyo
Shunju, Tokyo
Stone Plaza, Tochigi
Ichijuan, Fukuoka
Niki Club, Tochigi
Ujian, Tokyo
Garden Settings
Tetsu-no-chashitsu, Osaka
Jurinji-no-ie, Nara
Step House, Kanagawa
Yuishikian, Tokyo
Mihara-no-ie, Osaka
Minamiazabu-no-ie, Tokyo
Ryogo-tei, Osaka
Gallery-no-ie, Nara
Contemporary
Interpretations
Souan, Yamagata
Sankio
Kuan, Kyotc
Koya, Chiba
Klan, Okinawa
M House, Tokyo
Sakuragaoka-no-ie, Tokyo
Fujimian, Yamanashi
Takasugian, Nagano
Niiou
Acknowledgements