Late in the 18th century authors began to write Gothic stories as a way of putting literature back in touch with the irrational, the supernatural and the bizarre, which had been neglected in the Age of Reason,This superb new collection brings together stories from the earliest decades of Gothic writing with later 19th and early 20th century tales from the period n which Gothic diversified into the familiar forrns of the ghost- and horror-story.
The Notes that appear at the end of this volume give brief background information on the individual stories and their authors, plus,where necessary, some explanatory glosses on specific difficulties or allusions in the texts. Discussions of the tales occur in the Introduction below, but since they will certainly give too much away forthose who want to experience some of the stories power to surprise,shock and disconcert, readers are especially advised to follow the generic advice of Keith Carabine in his General Introduction above.
General Introduction
Foreword
Introduction
Select Bibliography
ANNA LETITIA AIKIN
Sir Bertrand: A Fragment (1773)
NATHAN DRAKE & AN ANONYMOUS HAND
Captive of the Banditti (1801)
ANONYMOUS
Extracts from Gosschens Diary: No. I (1818)
CHARLES ROBERT MATURIN
The Parricides Tale (1820)
ANONYMOUS
The Spectre Bride (1822)
SIR WALTER SCOTT
The Tapestried Chamber (1829)
EDGAR ALLAN POE
Berenice (1835)
CHARLES DICKENS
A Madmans Manuscript (1836)
Strange Event in the Lift of Schalken the Painter (1839)
NATHANIEL HAWTHORNE
Ethan Brand (1850)
ELIZABETH GASKELL
The Old Nurses Story (1852)
ROBERT LOUIS STEVENSON
The Body-Snatcher (1885)
CHARLOTTE PERKINS GILMAN
The Yellow Wallpaper (1892)
AMBROSE BIERCE
The Death of Halpin Frayser (1893)
M. R. JAMES
Canon Alberic s Scrapbook (1894)
RALPH ADAMS CRAM
No. 2y2 Rue M. le Prince (1895)
S. CARLETON
The Lame Priest (1901)
MARY WILKINS FREEMAN
Luella Miller (1902)
RICHARD MIDDLETON
The Bird in the Garden (1912)
E. F. BENSON
The Room in the Tower (1912)
Notes on Authors and Stories