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电影 | 灵异杀机 Communion.1989.1080p.BluRay.REMUX.AVC.DD2.0-FGT 18.33GB |
分类 | REMUX蓝光下载 |
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介绍 | 灵异杀机 Communion.1989.1080p.BluRay.REMUX.AVC.DD2.0-FGT 18.33GB班门弄斧管中窥豹心旷神怡19. 如果你们是蓝天,我愿做衬托的白云;如果你们是鲜花,我愿做陪伴的小草;如果你们是大树,我愿做点缀的绿叶……我真诚地希望我能成为你生活中一个欢乐的音符,为你的每一分钟带去祝福。73. I was totally engaged in my study and seldom paid attention to my mother's feelings.(2011.江苏)林逋270.疏影横斜水清浅,暗香浮动月黄昏。《山园小梅》
![]() ◎译 名 灵异杀机 ◎片 名 Communion ◎年 代 1989 ◎产 地 美国/英国 ◎类 别 传记/剧情/恐怖/科幻/惊悚 ◎语 言 英语 ◎上映日期 1989-11-10 ◎豆瓣评分 /10 from 0 users ◎豆瓣链接 https://movie.douban.com/subject/1297846/ ◎片 长 Netherlands: 101 分钟/Germany: 106 分钟(video)/USA: 107 分钟 ◎导 演 菲利浦 摩拉 (Philippe Mora) ◎主 演 Christopher Walken John Dennis Johnston Holly Fields ◎简 介 The film depicts the personal and professional crises a writer experiences after a series of encounters with non-human beings. The film strongly benefits from the performances of Christopher Walken and Lindsay Crouse. Walken (always engaging) manages the challenging task of making Whitley Strieber a compelling character; you care about him even if you don't necessarily like him 100% of the time. Crouse succeeds as Whitley's wife; the two together are immediately believable as a married couple. The film is arguably the most intelligent film about the alien abduction/ visitor phenomenon. Unlike countless cheap, made-for-TV films, where the emphasis is on the sensationalistic, "shocking" aspects of the subject, COMMUNION focuses on the psychological and emotional harm the experience does. We see Strieber describe his experiences to his medical doctor, and then to a psychiatrist. Once his own mental health has been established, then (and only then) does he begin to consider the possibility that the creatures he has seen are actually real. After questioning everyone from medical professionals to fellow abductees, Whitley realizes the only ones with the answers are the visitors themselves. At the film's climax, he willingly presents himself to the visitors. This is what makes COMMUNION transcend every other film about the phenomenon. Director Phillipe Mora successfully creates a "you-are-there" atmosphere, letting the actors improvise a lot of their dialogue. There are two distinct moods: one, where things are brightly lit, secure, and normal; and secondly, the dark, unsettling world Strieber inhabits only with himself and with the visitors. Mora's direction is subtle, with cues in both the dialogue and a detailed, occasionally wry visual style. Another plus is Eric Clapton's opening and closing theme music.
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