《斯帕克的后现代主义小说艺术》的作者戴鸿斌并没有简单地把斯帕克归入某一阵营，而是从她创作技巧的角度出发，以具体的小说艺术理论，即互文性、新小说及元小说理论为指导，以文本细读为基础，借鉴前人的研究成果，对代表其主要创作阶段的三部小说进行了深入系统的研究，令人信服地论证了这样一个重要观点：就艺术手法而言，斯帕克的小说创作具有明显的后现代主义倾向。

序

Introduction

Chapter One Intertextuality in The Comforters

 Ⅰ.An Overview of the Theory of Intertextuality

　Ⅱ.Relations Between The Comforters and the Book of Job

　Ⅲ.Intertextual Reference to The End of the Affair

　Ⅳ.Parody of the Detective Story

Chapter Two The Art of the Nouveau Roman in The Driver's Seat

 Ⅰ.The Nature of the Nouveau Roman and Its Relation with Postmodemism

　Ⅱ.The Impersonal Writings of the Fiction

　Ⅲ.The Rejection of the Sequential Plot

Chapter Three The Craft of Metafiction in Loitering with Intent

　Ⅰ.Some Issues of Metafiction

　Ⅱ.The Mctafictional Structure of Loitering with Intent

　Ⅲ.The Exposure of Artificiality

　Ⅳ.Discussion About the Criticism of Fiction

Conclusion

Bibliography

Acknowledgements

后记