William Scott has not been the subject of a substantial monograph until now. This should be more surprising than it is. British publishers have long been reluctant to devote resources to books of this kind unless the artist in question was one of the very few to be thought 'in the public eye' - which in effect means selected by the media for celebrity attention. For others, however eminent in the art world, there was no obvious public interest or demand, and thus a vicious circle situation existed in which those not hyped remained in the shadows.