Foreword(总序)
Preface(前言)
Introduction(导言)
British Writers(英国篇)
Unit 1 Robert Louis Stevenson(1850-1894)
Markheim
Unit Rudyard Kipling(1865-1936)
The Finest Story In the Wodd
Unit 3 W．Somerset Maugham(1874-1965)
The Luncheon
Unit 4 Katherine Mansfield(1888-1923)
The Doll’s House
Unit 5 Virginia Woolf(1882-1941)
Kew Gardens
Unit 6 Doris Lessing(1919-)
To Room 19
American Writers(美国篇)
Unit 7 Nathaniel Hawthorne(1804-1864)
Young Goodman Brown
Unit 8 Edgar Allan Poe(1809-1849)
The Cask of Amontillado
Unit 9 Charlotte Perkins Gilman(1860-1935)
Unit 10 O.Henry(1862-1910)
A Service of Love
Unit 11 Sherwood Anderson(1876-1941)
The Egg
Unit 12 Stephen Crane(1871-1900)
The Bride Comes to Yellow Sky
Unit 13 William Faulkner(1897-1962)
Dry September
Unit 14 Ernest Hemingway(1899-1961)
The Snows of Kilimanjaro
Unit 15 John Steinbeck(1902-1968)
The Chrysanthemums
Unit 16 Eudora Welty(1909-2001)
Death of a Travelling Salesman
Unit 17 FIannery O’connor(1925-1964)
Unit 18 John Hoyer Updike(1932-2009)A&P
Unit 19 Raymond Carver(1938-1988)
Cathedra
Unit 20 Alice Walker(1944-)
Everyday Use
Commentaries(评论篇)
1．Lessing’S Acceptance Speech for Nobel Prize
2．The Origin of Cathedral
3．The Element of Suspense in A Good Man Is to Find
4．Southern Sources of A Good Man Is Hard to Find
5．Flannery O’Connor and Her Readers
6．On The Fall of the House of Usher and The Cask of A．montillado
7．Poe’s Art of Transformation in The Cask ofAmontillado&The Meaning of A Rose for Emily
9．Hemingway’S Heroes and Style
10．Dramatic ToRe and Symblism of Hemingway’s Stories
11．A Feminist ReadingofGilman’S The Yellow Wallpaper
12．Undergoing the Cure for Nervous Prostration
13．Blackness in Hawthorne’S Young Goodman Brown
14．The Importance of the Single Effect in a Prose Tale
15．John Updike’S Canny Tale in A&P
16．Everyday Use~My Sojourn at Parchman Farm
17．Zora Neale Hurston．A Cautionary Tale and a Partisan View 18．Is Phoenix Jackson’S Grandson Really Dead?
References(参考文献)