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电影 | 灵异杀机 Communion.1989.1080p.BluRay.REMUX.AVC.DD2.0-FGT 18.33GB |
分类 | REMUX蓝光下载 |
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介绍 | 灵异杀机 Communion.1989.1080p.BluRay.REMUX.AVC.DD2.0-FGT 18.33GB光芒万丈形影不离千虑一失19. 身在红尘,错过多少缘分如流,看过多少聚散随风,到最后都成一场无法圆满的修行,归于清寂。染香岁月的文字,清远,绵长。喜欢这种素雅清新的感觉,浅浅的云,微微的风,垂眸一朵花的艳,轻嗅细细的香。还有什么比着春天的味道更美,更香!be engaged in sth 忙于某事;pay attention to 注意司马迁《史记》97. 人固有一死,或重于太山,或轻于鸿毛。
![]() ◎译 名 灵异杀机 ◎片 名 Communion ◎年 代 1989 ◎产 地 美国/英国 ◎类 别 传记/剧情/恐怖/科幻/惊悚 ◎语 言 英语 ◎上映日期 1989-11-10 ◎豆瓣评分 /10 from 0 users ◎豆瓣链接 https://movie.douban.com/subject/1297846/ ◎片 长 Netherlands: 101 分钟/Germany: 106 分钟(video)/USA: 107 分钟 ◎导 演 菲利浦 摩拉 (Philippe Mora) ◎主 演 Christopher Walken John Dennis Johnston Holly Fields ◎简 介 The film depicts the personal and professional crises a writer experiences after a series of encounters with non-human beings. The film strongly benefits from the performances of Christopher Walken and Lindsay Crouse. Walken (always engaging) manages the challenging task of making Whitley Strieber a compelling character; you care about him even if you don't necessarily like him 100% of the time. Crouse succeeds as Whitley's wife; the two together are immediately believable as a married couple. The film is arguably the most intelligent film about the alien abduction/ visitor phenomenon. Unlike countless cheap, made-for-TV films, where the emphasis is on the sensationalistic, "shocking" aspects of the subject, COMMUNION focuses on the psychological and emotional harm the experience does. We see Strieber describe his experiences to his medical doctor, and then to a psychiatrist. Once his own mental health has been established, then (and only then) does he begin to consider the possibility that the creatures he has seen are actually real. After questioning everyone from medical professionals to fellow abductees, Whitley realizes the only ones with the answers are the visitors themselves. At the film's climax, he willingly presents himself to the visitors. This is what makes COMMUNION transcend every other film about the phenomenon. Director Phillipe Mora successfully creates a "you-are-there" atmosphere, letting the actors improvise a lot of their dialogue. There are two distinct moods: one, where things are brightly lit, secure, and normal; and secondly, the dark, unsettling world Strieber inhabits only with himself and with the visitors. Mora's direction is subtle, with cues in both the dialogue and a detailed, occasionally wry visual style. Another plus is Eric Clapton's opening and closing theme music.
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