宫崎骏电影设定集首次授权，跨越语言与国界，感动全世界的宫崎骏和《千与千寻》来了！
这是一部全方位详尽介绍由宫崎骏原作、导演的日本电影《千与千寻》的创作思路、台前幕后故事、绘制细节、角色设定、制作理念等内容的官方设定集。
海量珍贵资料，值得所有人珍藏。

赵婉宁，自由译者。日本文化爱好者。“一直在路上”的优质内容守护者。
代表译作包括：《我所创造的怪物Ⅱ》《奇诺之旅》《白金数据》(漫画版)《PLUTO》《热血高校》等。

壹
贰
配音完成用台本最终版

I would say that this
film is an adventure story
even though there is no
brandishing of weapons or
battles involving
supernatural powers.
However,this story is not a
showdown between right
and wrong. It is a story in
which the heroine will be
thrown into a place where
the good and the bad
dwell together, and there,
she will experience the
world. She will learn about
friendship and devotion,
and will survive by making
full use of her brain. She
sees herself through the
crisis, avoids danger and
gets herself back to the
ordinary world somehow.
She manages not because
she has destroyed the
"evil", but because she has
acquired the ability to
survive.
The main theme of this
film is to describe, in the
form of a fantasy, some of
the things in this world
which have become
vague, and the indistinct
world which tends towards
erosion and ruin.
In everyday life, where
we are surrounded,
protected and kept out of
danger's way, it is difficult
to feel that we are working
to survive in this
world.Children can only
enlarge their fragile egos.
Chihiro's skinny legs and
her sulky face are their
symbols. However, once
the reality becomes clear
and once she encounters a
crisis, she will surely be
aware of the life she
actually possesses and of a
capacity for flexibility and
patience, and for decisive
judgement and action.
Most people just panic
and collapse while
shouting "it can't be true".
Those people will be
erased or eaten up in the
situation in which Chihiro
finds herself. In fact.
Chihiro's being strong
enough not to be eaten up
is just what makes her a
heroine. She is a heroine
not because she is
beautiful or because she
possesses a unique mind.
This is the key
characteristic of this work,
and therefore it is a good
story for 10-year-old girls.
Words are power. In
the world Chihiro
wandered into, words have
a great importance and
immutability. At "Yuya"
where "Yubaba" rules, if
Chihiro were to say "I don't
want to do this" or "I want
to go home", she would be
eliminated by the
sorceress. She would be
made to wander about
with nowhere to go until
she vanishes or is made
into a hen to lay eggs until
she is eaten. On the
contrary, if Chihiro says "I
will work here", even a
sorceress can't ignore her.
In these days, words are
thought to be light and
unimportant like bubbles,
and no more than the
reflection of a vacuous
reality. It is still true that
words can be powerful.
The fact is, however, that
powerless words are
proliferating unnecessarily.
To take a name away
from a person is an
attempt to keep them
under perfect control. Sen
shuddered when she
realized that she was
beginning to forget her
own name. And besides,
every time she goes to see
her parents at the pigpen,
she becomes used to
seeing her parents as pigs.
In the world where
Yubaba rules, people must
always live among dangers
which might swallow them
up.
In a dangerous world,
Chihiro began to come
alive. The sulky and
languid character will
come to have a stunning
and attractive facial
expression by the end of
the film. The nature of the
world hasn't been changed
in the least. I am arguing
in this film that words are
our will, ourselves and our
power.
This is also the reason
why I created a fantasy set
in Japan. Though it is a
fairy tale, I don't want to
make it like a Western type
of story whichallows many
possibilities for escape, and
is likely to be taken as a
cliche.However, I would
prefer to say that it is
rather a direct descendant
of "Suzume no 0yado"
(The Sparrows' Inn- a trap
in which sparrows lure
people by food and
pleasant surroundings) or
"Nezumi no Goten" (The
Mouse's Castle-similar to
"The Sparrows' Inn"),
which appear in Japanese
folk tales. Our ancestors
had been dining at the
Suzume no 0yado and
enjoying a feast at the
Nezumi no Goten.