内容推荐 《空间视阈下的美国少数族裔文学研究》将空间理论与种族、性别与身份、文化杂糅和传统文化重建等因素融合起来,从一种不同于传统的历史时间叙述视角对作品进行分析,解读文学与民族国家空间,以及文学与政治权力空间所构成的错综复杂的内在联系。本书探究空间生产背后所隐藏的政治权力、意识形态、身体规训等文化关系,以及它对人类行为方式和生存方式所产生的直接而重大的影响。 《空间视阈下的美国少数族裔文学研究》主要着眼于对美国非裔文学和美国本土裔文学的研究。本书以米歇尔·福柯、亨利·列斐伏尔提出的空间生产理论和霍米·巴巴的后殖民杂糅理论和第三空间理论作为理论依据,分别选取著名美国非裔作家兰斯顿·休斯的小说《并非不无欢笑》和美国本土裔女作家莱斯利·马蒙·西尔科的代表作《典仪》作为分析文本。 作者简介 牛培,女,中共党员,山东济宁人,硕士,毕业于云南大学外国语学院。主要从事美国文学、美国少数族裔文学研究。现为云南大学滇池学院讲师,曾主持和参与多项科研项目,发表数篇学术论文。 目录 Chapter Ⅰ The Space Theory of Lefebvre, Foucault and Bhabha 1.1 The Development of Space Theory 1.2 The Major Points of Lefebvre and Foucault's Space Theory 1.3 Postcolonial Theories of Bhabha's Hybridity and the Third Space Chapter Ⅱ The Exploration of American Ethnic Literature 2.1 The Research on Langston Hughes and Not Without Laughter 2.2 The Research on Leslie Marmon Silko and Ceremony Chapter Ⅲ The Exploration of Identities in Terms of Space Theory 3.1 African American Identities in Not without Laughter 3.1.1 Racial Identity in the Novel 3.1.2 Gender Identity in the Novel 3.2 African Americans' Identities in Terms of Space Theory 3.2.1 Racial Identity in Terms of Space Theory 3.2.2 Gender Identity in Terms of Space Chapter Ⅳ Exploring the"Third Space": Tayo's Healing Journey and the Reconstruction of American Indian Culture in Ceremony 4.1 Tayo's Trauma 4.1.1 Physical and Mental Trauma 4.1.2 Conflicts of Cognitive Patterns 4.1.3 Tayo's Identity Dilemma 4.2 The Predicament of American Indian Culture 4.2.1 Cultural Trauma 4.2.2 Conflicts of Worldviews 4.2.3 Loss of the Collective Cultural Identity 4.3 Tayo's Healing Journey in Ceremony 4.3.1 Healing Power of Indigenous Cultural Elements 4.3.2 Recovery of Tayo Chapter Ⅴ The Spatial Construction in American Ethnic Literature 5.1 The Significance of Spatial Construction in Not Without Laughter 5.1.1 The Urgent Pursuit of Identity Reflected by Spatial Construction 5.1.2 The Anxiety about Identity Reflected by Spatial Construction .2 The Reconstruction of Contemporary American Indian Culture Space under the Context of Post-colonialism in Ceremony 5.2.1 Inheriting American Indian Cultural Tradition 5.2.2 Recognizing the Changing World 5.2.3 Pursuing the Third Space Based on Cultural Hybridity Conclusion References 后记 |