谷婷婷编写的《弗吉尼亚·伍尔夫的空间政治与空间诗学》从空间视角研究伍尔夫小说中所描绘的聚会即“派对”场景，旨在重新评估其作品中所隐含的更为广阔的社会视野，以及这种视野与小说形式革新之间的关联。本书以亨利·列斐伏尔和米歇尔·福柯提出的空间理论为框架，并借鉴了维多利亚·罗斯纳、萨德·洛根、琼·弗里曼等人对私人或日常生活空间的文化研究成果，是对国内伍尔夫研究的进一步深化、拓展和补充。

Acknowledgements

List of Abbreviations

Introduction

Chapter One Escaping the Drawing-room Party: Reconstructing Female Identity, Rewriting the Courtship Plot

 1.1 "A Lady Has to Spend Her Life in the Drawing-room": Victorian Drawing-room and the Construction of Gender Identity

 1.2 Party in the Colonial "Wild" in The Voyage Out

 1.3 Drawing-room Resistance in Night and Day

Chapter Two"The Party […] Begins in the Kitchen": Domestic Servants and Modernist Narratives

 2.1 Kitchen and the Construction of Class Identity in the Victorian House

 2.2 In Between the Kitchen and the Drawing Room: The "Georgian Cook" and Woolf's Literary Modernism

 2.3 Clarissa's Party: TheKitchen Perspective in Mrs. DaHoway

 2.4 The Servant's Hand behind Mrs. Ramsay's Dinner: Aestheticizing the Moment of Interruption in To the Lighthouse

Chapter Three Parties in Liminal Houses: Outsiders and the De-familiarization of the Family Saga

 3.1 "An Englishman's Home Is His Castle": Victorian Home and Nation Revisited

 3.2 "An Abominable System": Woolf's Critique of the Victorian Ideology of Home and Nation in The Years

 3.3 "We Dine in the Basement": Remol~ng the English Home, Reworking with "Externality" in The Years

Conclusion

Notes

Bibliography