由梅绍武、吴祖光、黄佐临编著的《梅兰芳与京剧(英文版)》讲述了梅兰芳的人生故事,透过这些故事介绍京剧艺术的传播。后面的部分简要地介绍了京剧的一些基本知识以及常见曲目故事。 此书的故事性很强,透过其子、其友等人的视角多角度地呈现梅兰芳一生的发展历程,因此可读性很强。
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书名 | 梅兰芳与京剧(英文版) |
分类 | 文学艺术-传记-传记 |
作者 | 梅绍武//吴祖光//黄佐临 |
出版社 | 新世界出版社 |
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简介 | 编辑推荐 由梅绍武、吴祖光、黄佐临编著的《梅兰芳与京剧(英文版)》讲述了梅兰芳的人生故事,透过这些故事介绍京剧艺术的传播。后面的部分简要地介绍了京剧的一些基本知识以及常见曲目故事。 此书的故事性很强,透过其子、其友等人的视角多角度地呈现梅兰芳一生的发展历程,因此可读性很强。 目录 PEKING OPERA AND ITS GREAT MASTER MEI LANFANG Wu Zuguang PEKING OPERA--A COMPREHENSIVE ART FORM THE ORIGIN OF PEKING OPERA SYMBOLISM IN ACTING MUSIC, DIALOGUES AND SONGS DIFFERENT TYPES OF ROLES MAKE-UP, COSTUMESAND PROPS MEI LANFANG--THE GREAT MASTER OF PEKING OPERA BORN TO A FAMILY OF ACTORS BOTH SUCCESSOR AND PIONEER SECRET OF HIS SUCCESS ATTRACTIVE PERSONALITY MEI LANFANG, STANISLAVSKY, BRECHT-- A STUDY IN CONTRASTS Huang Zuolin ENDLESS SEARCH FOR NEW THEATRICAL TRUTHS SALIENT FEATURES OF TRADITIONAL CHINESE THEATER BRECHT'S THEORY OF DRAMA IN CO STANISLAVSKY'S COMMON FEATURES OF THREE GREAT MASTERS OF REALISM THE MOST BASIC DIFFERENCE AN APPRECIATION OF MEI LANFANG'S ART DIFFERENT DRAMATIC CONCEPTS AND METHODS BRECHT'S ADOPTION OF CHINESE THEATRICAL TECHNIQUES AN INTERESTING QUESTION OF GOOD OR BAD ACTING TECHNIQUES OF CHINESE TRADITIONAL ACTING INNER CHARACTERISTICS OF CHINESE THEATER REFLECTIONS ON MY STAGE LIFE Mei Lanfang MY FIRST APPEARANCE ON THE STAGE HOW I PLAY IN MY TWO FAVORITE OPERAS MY NEW OPERA MU GUIYING TAKES COMMAND ARTISTIC PERCEPTION AND JUDGEMENT MEI LANFANG AS SEEN BY HIS FOREIGN AUDI CRITICS Mei Shaowu EARLY EFFORTS TO POPULARIZE PEKING OPERA AMON AUDIENCES FIRST PERFORMANCE BEFORE A FOREIGN AUDIENCE VISITS TO JAPAN ENTERTAINING FOREIGN GUESTS AT HOME, PROPOSAL FOR U.S. TOUR SUCCESSFUL U.S. TOUR AMERICAN HOSPITALITY SENTIMENTS OF THE AUDIENCES MEILANFANG IN THE EYES OF U.S. CRITICS "HIGHEST POINT IN THE SEASON'S THEATER" "GREEKAND ELIZABETHAN PARALLELS" "DEXTEROUS REALISM" "ACTOR, SINGERAND DANCER COMBINED" "AMBASSADOR OF CHINESE CULTURE" A GREAT STAGE SUCCESS IN THE SOVIET UNION (1935) PRESS COMMENTS SWAPPING EXPERIENCES STANISLAVSKY'SINTERPRETATION EISENSTEIN'SAPPRAISAL FRIENDSHIP WITH TAGORE WITH BERNARD SHAWAND PAULROBESON A GUIDE TO PEKING OPERA 1. THE TYPES OF ROLES 2. SINGING AND DECLAMATION 3. PANTOMIME AND ACTING 4. COSTUMES 5. STAGE PROPERTIES AND SYMBOLISM 6. MUSICAL INSTRUMENTS APPENDIX: SYNOPSES OF 25 PEKING OPERAS THE ORPHAN OF THE ZHAOS THE GENERALAND THE MINISTER ARE RECONCILED BEAUTY DEFIES TYRANNY THE KING'S PARTING WITH HIS FAVORITE ZHAOJUN CROSSING THE FRONTIER THE EMPTY CITY RUSE THE CROSSROADS THE WHITE SNAKE HAVOC IN HEAVEN YANDANGMOUNTAIN THE DRUNKEN BEAUTY THE HEROINE SHE SAIHUA MU GUIYING TAKES COMMAND QIN XIANGLIAN, THE FORSAKEN WIFE CALLING OFF THE FEAST WILD BOARFOREST THE FISHERMAN'S REVENGE AUTUMN RIVER PICKING UPAJADE BRACELET CHUN XIANG UPSETS THE STUDY THE FAIRY OF AZURE LAKE SELLING WATER DONATING A PEARL ON RAINBOW BRIDGE LADY MAGNOLIA ROMANCE OF AN IRON BOW INDEX |
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