埃玛·史密斯的这部《威廉·莎士比亚》用独特的视角,直接抓住戏剧艺术的主要特点——剧中人物、莎剧的演出、莎剧的文本、剧中语言、戏剧结构、莎剧故事的来源、剧作与时代的关系——直接插入,通过分析莎士比亚的多部剧作,在回顾总结历代学者评论家研究成果的基础上,阐述了她个人对莎剧的看法。因此,埃玛·史密斯的《威廉·莎士比亚》是一部个性化很强的导读。在每一章的结尾处,作者还加上了一份参考书目——不是单纯地列上书名,而是加上了对每本书的详细点评,这对读者进一步探讨这个问题会有很大的帮助。
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书名 | 威廉·莎士比亚/剑桥文学名家研习系列 |
分类 | 文学艺术-传记-传记 |
作者 | 史密斯 |
出版社 | 上海外语教育出版社 |
下载 | ![]() |
简介 | 编辑推荐 埃玛·史密斯的这部《威廉·莎士比亚》用独特的视角,直接抓住戏剧艺术的主要特点——剧中人物、莎剧的演出、莎剧的文本、剧中语言、戏剧结构、莎剧故事的来源、剧作与时代的关系——直接插入,通过分析莎士比亚的多部剧作,在回顾总结历代学者评论家研究成果的基础上,阐述了她个人对莎剧的看法。因此,埃玛·史密斯的《威廉·莎士比亚》是一部个性化很强的导读。在每一章的结尾处,作者还加上了一份参考书目——不是单纯地列上书名,而是加上了对每本书的详细点评,这对读者进一步探讨这个问题会有很大的帮助。 内容推荐 本书从莎剧的人物、演出、文本、语言、结构、素材以及与时代的关系七大视角出发,直接抓住了莎剧艺术的主要特点,积极将读者导入莎剧,论述有理有据,蹊径独辟,证明了莎剧文本的研究大有创新的空间。 “……一部深入浅出、令人耳目一新的莎剧指南。” 目录 List of figures and tables Preface Chapter 1 Character Juliet's balcony, Verona Shakespeare's realism? Shakespeare's 'unreal' characters Reading Shakespeare's characters on the page Embodying Shakespeare's characters on stage Doubling on the early modern stage Writing for particular actors Falstaff:character as individual or type? Naming and individuality Characters as individuals or as inter-relationships Character:interior or exterior? Character:where next? Chapter 2 Performance Measure for Measure. staging silence ‘Going back to the text’:the challenge of performance Performance interpretations:The Taming of the Shrew Topical performance:the plays in different theatrical contexts Citing performances Using film Using film comparatively:Macbeth Hamlet:‘To be or not to be’ Adaptations:Shakespearean enough? Performance:where next? Chapter 3 Texts Shakespeare's hand So what did Shakespeare write? Stage to page Quartos and Folio Editing as interpretation The job of the editor:the example of Richard Ⅱ Stage directions Speech prefixes The job of the editor:the example of KingLear Texts:where next? Chapter 4 Language ‘In a double sense’(Macbeth 5.7.50) Did anyone really talk like that? Playing with language Language of the play/language of the person Prose and verse Linguistic shifts:i Henry Ⅳ Shakespeare's verse Linguistic variation:A Midsummer Night's Dream Language:where next? Chapter 5 Structure Finding the heart of the play Shakespeare's genres:dynamic, not static Tragedy and comedy Tragedy-expanding the genre Comedy-expanding the genre History:is this a fixed genre? Structuring scenes:Much Ado About Nothing Juxtaposing scenes, activating ironies:Henry V Showing v. telling Structure:where next? Chapter 6 Sources Antony and Cleopatra and Plutarch Originality:was Shakespeare a plagiarist? Shakespeare at work:the intentional fallacy? The source bites back:Romeo and Juliet and The Winter's Tale The strong poet? King Lear Sources:where next? Chapter 7 History Politic picklocks:interpreting topically History plays:political Shakespeare? History plays:Shakespeare as propagandist? Hamlet as history play? Jacobean patronage:King Lear and Macbeth Historical specificity:gender roles Race and Othello History:where next? Bibliography Index |
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