"Vermeer Noir" might be an apt description of Dutch photographer Erwin Olaf's disquieting image repertoire. His subjects are posed indoors, immobile, somewhat in reverie and bathed in nearby window light--but not tranquilly so. An atmosphere of sinister but clinical indifference attends both them and their environments, rendering them into beautiful but dislocated mannequins in catalogue-furnished interiors. All sense of belonging to a place is eliminated. Each richly colored and sleekly composed image offers a sly reinterpretation of Norman Rockwell-like iconography and characters, manifesting a nostalgia that both burlesques and celebrates America of the 1950s and 60s. Dramatic emotions are hinted at but left ambiguous; certainly nothing in the models' surroundings suggests a cause.