"It was just like being in a film...," we sometimes tell one another- and what do we mean by that？ We say it when an event, an incident, a detail, perhaps, suddenly stands out with a clarity that comes from somewhere el.se than the event itself. The event in which we may be involved takes on the appearance or feel of a motif, an image, a scene. You say goodbye - and in the same instant a flock of birds rises, the light falls in a particuIar way, accompanying sounds are heard; it's all coincidental, but it fits the situation, which suddenl.y seems pre-arranged - and thus just like a film. Forwe read films as pictures too. We are alert, sitting there in the dark, we keep an eye on what is happening and how it all, looks. ...

ETERNITY IS IN LOVE WITH THE PRODUCTIONS OF TIME

On firm stitts, human curiosity and the image

machine that runs constantty in the skutl.

By Michaet Juul Hotm

THE USUAL SUSPECTS

The still, in the history of film

By Madeleine Schlawitz

HUNGER

By Henning CarLsen

BLIMP！

Interview with Rolf Konow

THE ETERNAL THREAT

By Metre Kia Krabbe Meyer

A FINE ROMANCE

Film stills and art history

By Metre Marcus