"[Taleb writes] in a style that owes as much to Stephen Colbert as it does to Michel de Montaigne...We eagerly romp with him through the follies of confirmation bias [and] narrative fallacy."
--DAVID A. SHAYWITZ, The Wall Street Journal
"An eye-opening book, one that teases our intelligence... [Taleb] is after big game, and he bags it."
--ROGER LOWENSTEIN, Portfolig
A black swan is a highly improbable event with three principal characteristics: It is unpredictable; it carries a massive impact; and, after the fact, we concoct an explanation that makes the event appear less random, and more predictable, than it was. The astonishing success of Google was a black swan; so was 9/11. For Nassim Nicholas Taleb, black swans underlie almost everything about our world, from the rise of religions to events in our personal lives. But because humans are hardwired to learn specifics when they should be focused on generalities, we are unable to truly estimate opportunities and are not open enough to rewarding those who can imagine the "impossible." In this revelatory book, Taleb explains everything we know about what we don’t know. He offers surprisingly simple tricks for dealing with black swans and benefiting from them. Elegant, startling, and universal in its applications, The Black Swan is a landmark book that will change the way you look at the world.
Prologue
PART ONE: UMBERTO ECO’S ANTILIBRARY, OR HOW WE SEEK VALIDATION
Chapter 1: The Apprenticeship of an Empirical Skeptic
Chapter 2: Yevgenia’s Black Swan
Chapter 3: The Speculator and the Prostitute
Chapter 4: One Thousand and One Days, or How Not to Be a Sucker
Chapter 5: Confirmation Shmonfirmationl
Chapter 6: The Narrative Fallacy
Chapter 7: Llving In the Antechamber of Hope
Chapter 8: Giacomo Casanova’s Unfailing Luck:The Problem of Silent Evidence
Chapter 9: The Ludic Fallacy, or The Uncertainty of the Nerd
PART TWO: WE JUST CAN’T PREDICT
Chapter 10: The Scandal of Prediction
Chapter 11 : How to Look for Bird Poop
Chapter 12: Epistemocracy, a Dream
Chapter 13: Appelles the Painter, or What Do You Do if You Cannot Predict?
PART THREE: THOSE GRAY SWANS OF EXTREMISTAN
Chapter 14: From Mediocristan to Extremistan, and Back
Chapter 15: The Bell Curve, That Great Intellectual Fraud
Chapter 16: The Aesthetics of Randomness
Chapter 17: Locke’s Madmen, or Bell Curves in the Wrong Places
Chapter 18: The Uncertainty of the Phony
PART FOUR: THE END
Chapter 19: Half and Half, or How to Get Even with the Black Swan
Epilogue: Yevgenia’s White Swans
Acknowledgments
Glossary
Notes
Bibliography
Index