The novel is set in Yorkshire, and for background the author studied back-issues of the Leeds Mercury dealing with the Luddite attacks on factories and the associated violence to property and person. However, Shirley is a human as well as a social novel, dealing with the character and passions of the ambitious, stubborn,modernising mill-owner Robert Grrard Moore, his opportunistic attempt to ally himself through marriage with the wealthy Shirley Keeldar, his rejection by her in favour of his brother and his subsequent marriage to his cousin and true love, Caroline Helstone. ...
Charlotte Bronte was a natural story-teller with a gift for creating memorable characters and for evoking atmosphere. The novel is set among the cloth mills of the author's native Yorkshire and she succeeds brilliantly in creating the full drama of the latter part of the Napoleonic Wars when labour-saving machinery was smashed by desperate, unemployed workers.
Rich in historical detail, Shirley is a human as well as a social novel with a perpetual relevance in its exploration of humanity's efforts to reconcile personal and economic aspirations with social justice and harmony.
I Levitical
II The Wagons
III Mr Yorke
IV Mr Yorke (continued)
V Hollow's Cottage
VI Coriolanus
VII The Curates at Tea
VIII Noah and Moses
IX Briarmains
X OldMaids
XI Fieldhead
XII Shirley and Caroline
XIII Further Communications on Business
XIV Shirley Seeks to be Saved by Works
XV Mr Donne's Exodus
XVI Whitsuntide
XVII The School Feast
XVIII Which the Genteel Reader is Recommended to
Skip, Low Persons being here Introduced
XIX A Summer Night
XX TomoTow
XXI Mrs Pryor
XXII Two Lives
XXIII An Evening Out
XXIV The Valley of the Shadow of Death
XXV The West Wind Blows
XXVI Old Copy-books
XXVII The First Bluestocking
XXVIII Phoebe
XXIX Louis Moore
XXX Rushedge - a Confessional
XXXI Uncle and Niece
XXXII The Schoolboy and the Wood-nymph
XXXIII Martin's Tactics
XXXXV Case of Domestic Persecution - Remarkable
Instance of Pious Perseverance in the
Discharge of Religious Duties
XXXV Wherein Matters Make some Progress,but not much
XXXVI Written in the Schoolroom
XXXVII The Winding-up