Hardy's last novel, Jude the Obscure, is one of the greatest works of late Victorian literature; but it is also something more than that. With courage and sensitivity, Hardy explores some of the most significant social issues of his time--and not only of his time. The intensity of his response to the questions debated and dramatized in the novel derives from their importance being at the same time public and personal.
Set against the backdrop of Victorian Oxford (the Christminster of the novel), lude the Obscure tells a haunting, tragic, and unforgettable story. This Norton Critical Edition again reprints Hardy's final revision for the 1912 Wessex Edition, which includes his Preface and Postscript. The text is accompanied by explanatory annotations and two maps.
"Backgrounds and Contexts" includes relevant materials on Jude the Obscure's composition and publication history, generous selections from Hardy's nonfiction writings and poetry that help contextualize the novel, and background materials on the novel's setting.
"Criticism" includes six contemporary and ten modern essays on the novel. To this Second Edition have been added a number of recent essays reflecting current developments in critical approach.
A Chronology and Selected Bibliography are also included.
Preface to the First Edition
Preface to the Second Edition
The Text of Jude the Obscure
A Map of the Wessex of the Novels (1895)
Contents of Jude the Obscure
Preface to the First Edition (1895)
Postscript (1912)
Jude the Obscure
Backgrounds and Contexts
COMPOSITION, PUBLICATION, AND TEXT
Richard Little Purdy [Composition and Serialization
of the Novel]
John Paterson [ttardy's Change of Direction]
Robert C. Slack [Hardy's Revisions]
HARDY'S NONFICTIONAL WRITINGS
From Hardy's Autobiography
Comments from Hardy's Letters
The Tree of Knowledge
The Profitable Reading of Fiction
HARDY'S POEMS
Childhood Among the Ferns
A Necessitarian's Epitaph
The Masked Face
Thoughts of Phena
The Son's Portrait
Lausanne
The Young Glass-Stainer
The Conformers
The Recalcitrants
To a Motherless Child
Midnight on the Great Western
To a Lady
LOCALE
Norman Page Settings and Sources
Map: Valters' Plan of Oxford (1891)
INFLUENCES ON THE NOVEl,
C. ]. Weber [Autobiographical Elements]
W. R. Rutland [Hardy, Parnell, and Ibsen]
Criticism
CONTEMPORARY RECEPTION
William Dean Howetls - From Harper's Weekly
(December 7, 1895)
Margaret Oliphant. From Blackwood's Magazine (January 1896)
Edmund Gosse From Cosmopolis (January 1896)
D. F. Hannigan. From the Westminster Review (January 1896)
W. W. How, Bishop of Wakefield Letter to the Yorkshire Post
(June 9, 1896)
Havelock Ellis. From the Savoy Magazine (October 1896)
MODERN CRITICISM
Irving Howe- ['A Distinctively Modern Novel[
Arthur Mizener · Jude the Obscure as a Tragedy
D. H. Lawrence. [Male and Female]
Albert J. Guerard · [Hardy's Portrait of Sue Bridehead]
Robert Gittings · [Sue as a Girl of the 186os]
Frederick P. W. McDowell · [Imagery and Symbolism in
Jude the Obscure]
Penny Boumelha · [A Double Tragedy]
F. B. Pinion [Jude the Obscure as Autobiography]
Richard Dellamora · [Sexually' and Scandal]
Marjorie Garson · [Jude's Idealism]
Thomas Hardy: A Chronology
Selected Bibliography