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书名 | 中国天主教艺术(英文版) |
分类 | 文学艺术-艺术-艺术概论 |
作者 | 刘平 |
出版社 | 五洲传播出版社 |
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简介 | 内容推荐 本画册既对改革开放以来中国天主教尤其是北京教区艺术发展进行了较为全面的概述,也对自唐朝以来中国天主教艺术领域做出了全面的回顾,每一个时期、每一个亮点,都可以在书中一目了然。中国天主教艺术对于真善美的追求、对于天主教审美观念的哲理体现以及中国天主教艺术的价值结构等等都在这本书里得到了很好的体现。 目录 Preface Prologue The First Chapter: The Historical Dust Blown Over (Tang Dynasty) I. Past Events Covered with Dust in the Monument II. Relics Falling Apart Anywhere The Second Chapter: The Falling Star Streaks the Night Sky (Yuan Dynasty) I. The Song under the Feet of Imperial City II. Latin Styled Carved Stone The Third Chapter: Searching for the Remained Imprint (Ming and Qing Dynasty) I. The Great Efforts Jesuits Put on Enculturation II. Reappearance and Fusion of Architecture Styles of Various Countries in China The Fourth Chapter: Waiting for the Chance to Turn Over (the Republic of China) I. Cardinal Celso Costantini’s Localized Reform II. The Cradleland of Church Arts in Shanghai The Fifth Chapter: Open Up a New Era of Transformation (Modern Times) I. The Second Vatican Council and the Church Art II. The Variety of Church Architectural Style III. Catholic Music in the Traditional Cultural Style IV. The Painting of Holy Pictures Expressed by Drawing Art of Chinese Tradition V. The Richness and Development of Church Fine Decorations The Final Chapter: Continuing the Unfinished Mission 序言 Preface The Son of God incarnated in the midst of Jewish people and shared all the elements of the Jewish culture. This reality provides the source of motive as a perfect exemplar for enculturation of the Church. Therefore, the Catholic Church has been concerning the issue of the relationship between the Church and various cultures since its beginning as Jesus Christ who completely and totally incarnates into each and every culture and hopes to bring the gospel of salvation to all in the ways people of every culture are able to receive. Each and everyone should be shined by the inspiration of God. The Asian Bishop’s Conference in 1974 emphasized this issue as well. It stated that the local church should be born in the midst of the local people. It should be locally characterized. It should constantly, humbly and friendly have dialogues and communications with local people’s tradition, culture and religion. The art and cultural development go hand in hand. On the one hand, the art is the earliest companion of human’s civilization, and it has an important role in the culture and it is an element of the culture. The art is an external expressive model of the culture. On the other hand, the culture is the source and content of the art. Different cultures develop different arts and different arts are like cultures pleasing to God. The art becomes an effective carrier of the crystallization which concretes human’s emotions, and it leads human race to pursue beauty and ultimately pursue toward God. Therefore, by researching and studying art we find a method of seeking the omnipotence of God which is pleasing to the Lord. The encountering of Christian faith and Chinese cultural art has ever spurted the dazzling light, and it has ever gone to its low ebb as well in the vast Chinese land. The Chinese nation has gone through trials and hardships for as long as one hundred years from the Opium War to the establishment of the People’ s Republic. In fact, enculturation which the universal Church always asserts has been challenged and tested. Missionaries from different countries tried to be against the authority of the Holy See for their own purposes and benefits in China, and they wrongly imposed European church style into the China church. This deeply hurts the dignity of the Chinese people. Through out the Chinese history, many talented people of Chinese church tried to put their best efforts in the fulfillment of faith ’s enculturation. In 1922, Gang Hengyi was assigned to be the first representative of the Holy See in China. Since then, he started his reform of enculturation, and this reform joined together with church’s art from its beginning. However, the reform at this time was just lasted for a short moment. After the establishment of the People’s Republic, the China church stands beside its nation and people, and chooses the way of self- determination for its development. At this time, Chinese church’s cultural art for various historical reasons has been stagnated, and such a stagnated situation has lasted for a longer time. Until the reform and open policy was adopted, Christian faith and the Chinese cultural art could be able to have a wider space for its own development. The rich Chinese historical culture has become the strong supporter for the union and constant development of Christian faith and the Chinese traditional and cultural art so that the Chinese traditional and cultural art has gained a great achievement and it’s breaking through in the field of art. We have achieved a great deal and the breaking through in the field of art, but we still have a long way to go in terms of researching and studying in the field of art. Hence, The Art of Catholic Church in China is born. It is in a more detailed way to summarize the entire situation of the development of art in 导语 本画册既对改革开放以来中国天主教尤其是北京教区艺术发展进行了较为全面的概述,也对自唐朝以来中国天主教艺术领域做出了全面的回顾,每一个时期、每一个亮点,都可以在书中一目了然。中国天主教艺术对于真善美的追求、对于天主教审美观念的哲理体现以及中国天主教艺术的价值结构等等都在这本书里得到了很好的体现。 |
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