风格即人生，书法家体味现实人生，又以书法缔造着他的理想国。透过遗迹与传奇，我们揣摩书法，剖析书法背后的风云际会，世道人心。本书概括了中国书法的数千年历史，采用平实的语言分析作品的三要素，力图使读者能够从时代、书家、书迹这三个方面对中国书法有所认识。在介绍书家、书迹的时候，还不失时机地对书法理论中人品与书品、神釆与形质等等重要命题进行探讨。

壹 总说开篇

 Ⅰ Introduction

贰 先秦书法：甲骨金石简帛书

 Ⅱ Calligraphy of Pre-Qin Dynasty：Writings on Oracle，Bronze，Stone，Bamboo Slip and sik

一、炎黄大战以及汉字萌生

1．War between the Yan King and Huang King and Inception of tbe Characters

二、“绝地天通”与甲骨占b

2．Augury Practice and Oracle

三、殷墟甲骨文的风格分期

3．Oracle Art-style Periods of Yin Dynasty

四、礼乐制度与钟鼎铭文

4．Ceremony & Music System with Engraved Inscription in Bells & Caldrons

五、商周金文书风总览

5．Overview on Engraved Writings of Shang & Zhou Dynasties

六、西周金文的典范作品

6．Westem Zhou Dynasty's Classic Bronze Innscriptions

七、简牍制度与书法

7．Bamboo & Wood Slips Custom with Calligraphy

八、简牍书法与隶变

8．Writings on Bamboo & Wood Slips and Their Evolvements

九、“贫不及素”以及帛书

9．‘"Too Poor to Have Silk"'and Silk-writings

十、执牛耳歃血立盟

10．Rulers'Form of Swearing for League

十一、《石鼓》照耀垂千春

11．Shi Gu(Stone-Drums)Shedding Light on the Chinese History

叁 秦汉三国西晋书法

 Ⅲ Calligraphy of Qin，Han，Three-Kingdoms and Western Jin Dynasties

一、秦小篆一统汉字

1．Unified Chinese Characters of Qin Dynasty

二、始皇帝七处刻石

2．Seven Sites of Stone-Inscriptions by the Qin Shihuang Emperor

三、蚕头雁尾，雁不双飞

3．“Silkworm-head & Goose-tail-Non-paralle1Goose-flying”

四，汉隶的典范碑刻

4．The Classic Stone Inscriptions of Han Dynasty's of ficia1Writings

五、草书、行书在汉代发展

5．Cursive & Running Hand's Development in Han Dynasty

六，蔡邕等东汉书家

6．Cai Yong and Eastern Han Dynasty's Other Calligraphers

七、锺繇等人的书法

7 Zhong You and Other Calligraphers'works

八、“一台二妙”等西晋书家

8．“Two Elites”and Other Western Jin Dynasty's calligraphers

九、陆机和《平复帖》

9．Lu Ji with His Pingfu Tablet

肆 东晋南朝书法

 Ⅳ Calligraphy of Eastern Jin and Southern Dynasties

一、王谢子弟，东晋风流

1．Wang & Xie Families with Eastern Jin Dynasty's Leisure

二、王羲之的书圣生涯

2．Wang XiZhi's Road to Success

三、王羲之“见意成字”

3．Wang Xizhi's“writing with expressionism”

四、《兰亭序》和“兰亭论辨”

4．Preface to Orchid Pavillion and its dispute

五、王献之其人其书

5．Wang Xianzhi with his woNs

六、羊欣、萧思话等与南朝宋书法

6．Yang Xin，Xiao Sihua and others with Southern Song Dynasty calligraphy

七、王僧虔父子三人

7．Wang Sengqian with his 2 Sons

八、梁武帝、陶弘景商略书坛

8．King Liangwu & Tao Hongjing's Influence

九、萧子云、殷铁石与梁武帝的书法作为

9．Xiao Ziyun-5(in Tieshi＆King Liangwu's Calligraphy Practice

十、智永书法与永字八法

10．Chi Yong with“Eight Strokes of Yong”

十一，大小二《爨》等南朝碑刻

11．Senior & Junior Cuan and Other Southern Dynasties

Stone inscrilc，tions

伍 北朝，隋代书法

 Ⅴ Calligraphy of Northern Dynasties and Sui Dynasty

一、孝文帝与魏碑

1．King Xiaowen and Northern Wei Dynasty's Stone lnscriptions

二、北朝碑碣

2．The Noahem Dynasties with Stone Tablets

三、北朝墓志

3．The Northem Dynasties with Stone Tablets in Mausoleus

四、北朝造像题记

4．The Northern Dynasties with Statue Inscriptions

五、北朝摩崖

5．The Northem Dynasties with Inscriptions on Cliffs

六、“北碑南帖”以及南北文化融合

6．Theory of “Northern Stones Vs Southern Tablets”and North-South Cultura1Integration

七、隋朝书法，承魏开唐

7．Sui Dynasty Calligraphy：Preface to Tang Dynasty

八、静琬刻经以及石经保护

8．Jing Wan's Sutra Engraving and Its Protection

陆 唐、五代书法

 Ⅳ Calligraphy of Tang Dynasty and the Five Dynasties

一、唐太宗醉心书法，独尊羲之

1．King Taizong's Infattmtion in Tang Dynasty of Calligraphy and Worship to Wang Xizhi

二、萧翼赚取《兰亭序》

2．Xiao Yi's Defrauding of Preface to Orchid Pavilion

三、欧阳询与唐楷成熟

3．Ouyang Xun and Maturity Tang Dynasty's Standard Writngs(Tangkai)

四、虞世南的戈钩与婉和书风

4．Y1，Shinan with His Style戈and the Gracefu1StYle

五、铁线蜿蜒的褚河南书法

5．Chu Henan with His Hard-twisting Style

六、唐代书画鉴藏

6．Tang Dynasty's Collection of Artworks

七、高宗、武后书法以及《万岁通天帖》

7．Emperor Gaozong-Empress Wu and the Long Live & Heaven万ablets

八、薛稷，薛曜、陆柬之与“初唐四家”座次

8．Xue Ji，Xue Yao，Lu Jianzhi and the Ranks for“Four Masters in Early Tang”

九、楷、行《圣教》弘佛法

9．Standard，Running Writings of Holy Religion Tablets Glorifying Buddhism

十，李邕书法别开生面

10．Li Yong's Inimitable Style

十一、唐玄宗与盛唐的浑厚书风

11．Emperor Xuanzong in Flourishing Tang Dynasty with the Grand Style

十二、“酒中八仙”之贺知章、李白书法

12．He Zhizhang，Li Po of ‘'Eight Winebibbers”and Their Works

十三、雄逸奔放的张旭草书

13．The Cursive Imposing by Zhang Xu

十四、颜真卿的人品与书品

14．Yan Zhenqing's Fealty with His Works

十五、狂僧怀素，大醉而书

15．Unrestrained Monk Huai Su with His Works when Drunk

十六、唐代的“写经手”、“书碑手”

16．Tang Dynasty's Copyists and Scribes

十七、千秋一脉传笔法

17．The Tips of Calligraphy Handed Down

十八、晚唐大家柳公权

18．L1u Gongquan-the Master in Late Tang Dynasty

十九、乱世风子杨凝式

19．Yang Ningshi，a Ding-a-1ing in Troubled Times

柒 两宋书法

 Ⅶ Calligraphy of Northern＆Southern-Song Dynasties

一、宋太宗，王著与《淳化阁帖》

1．King Taizong，Wang Zhu with the Chunhua Pavilion Tablets

二、李建中、蔡襄扬名宋初

2．Li Jianzhong and Caixiang，Distinguished in Early Song Dynasty

三、宋初书风飘摇不定

3．The Volatile Style in Early Song Dynasty

四、宋代笔，纸、墨

4．Development on Brush Pens，Paper and Chinese Ink in Song Dynasty

五、苏东坡与“宋人尚意”

5．Su Dongpo with“Song Dynasty's Expressionism”

六，黄庭坚行、草峭快豪放

6．Huang Tingjian with His Running & Cursive Unconstrained

七，颠逸率真的米芾

7．Mi Fu with His Candour and Excellence

八、蔡京、蔡卞与“苏黄米蔡”排名

8．Cai Jing-Cai Bian and the Ranks of “Four Masters”

九、薛绍彭与“定武兰亭”

9．Xue Shaopeng and“Dingwu Orchid Pavilion”

十、“瘦金书”与“宣和装”

10．“Trimming Golden Writings”and“Xuan He Pasting Style”

十一、宋高宗一朝书法

11．Calligraphy in the Period of King Gaozong

十二、米友仁、吴琚效仿米芾

12．Mi Youren，Wu Ju's Immitations of Mi Fu

捌 元明书法

 Ⅷ Calligraphy of Yuan and Ming Dynasties

一、赵孟頫书法振兴传统

1．Zhao Mengfu's Renewa1of 7radition

二、赵孟頫之流亚

2．The Followers of Zhao Mengfu

三，元末狂怪杨维桢

3．Yang Weizhen，the Crackr，ot in Late Yuan Dynasty

四、明初三宋二沈

4．“Three Songs & Two Shens”in Early Ming Dynasty

五、文徵明的前辈书家

5．The Predecessors Before Wen Zhengming

六、明中叶吴门书家

6．Calligraphers From Suzhou in Middle Ming Dynasty

七、狂狷徐渭

7．The Cynic of Xu Wei

八、南董北邢，南董北米

8．“Southern Dong VS Northern Xing”and“Southern Dong VS Northern Mi”

九、郁闷狂乱张瑞图

9．The Depressed Zhang Ruitu

十，晚明书坛三株树

10．“Three Giants”in Late Ming Dynasty

十一、宁丑毋媚傅青

11 The Concept of “Rather Ugliness than Charming''by Fu Qing Zhu

玖 清朝书法

 Ⅸ Calligraphy of Qing Dynasty

一、康熙尊崇董其昌

1．Dong Qichang Preferred by King Kangxi

二、“笪姜汪何”和张照

2．“Four Masters”with Zhang Zhao

三、金枝玉叶老遗民--朱耷、石涛

3．Zhu Da，Shi Tao，the Imperia1Adherents of Former Dynasty

四、乾隆推重赵孟頫

4．Zhao Mengfu Preferred Once More by King Qian Long

五、乾嘉四家，淳和隽雅

5．“Four Masters”in the Periods of King Qian Long & Jia Qing

六、扬州八怪，块磊盘郁

6．Eight Kooks in Yangzhou with Great Creativity

七、碑派开山邓石如

7．Deng Shim，the Founder of Schoo1of Stone Inscriptions

八、反拔“馆阁”，尊碑抑帖

8．Anti-standardism with Advocating of Stones and Debasing Tablets

九、何张赵吴，浸淫碑版

9．The“Four Masters”dipping into Stone Inscriptions

十、寄意金石，游心甲骨

10．The Research on Bronze & Stone Inscriptions and Oracle

续篇 二十世纪中国书坛概说

Apendix：the Outline of 20th Century Chinese Calligraphy Realm

主要参考书目

Bibliography

后记

Postscript